As a long time student of the piano, I have done my fair share of Hanon and Czerny exercises. At times, one can get bored with the repetitive nature of these exercises. Yet at the same time, when you really analyze what the exercises are working on, often strengthening of a specific finger pattern, you come to appreciate the value of these tried and true etudes.
I know I have mentioned before in this blog, that one of my teachers Dr. Suzanne Newcomb, who is a piano professor at Otterbein University. As a pre-teen she actually played Czerny Exercise #5 in a piano recital. I must admit, that over the years it has become one of my favorites. It is fast, and has the quality and intricacy of a piano sonatina or sonata. It actually is fun, and whether you play it slowly or speed it up, you can sound like you know what you are doing.
So beyond Czerny and Hanon there is Stephen Heller. Born in Hungary in 1814, Mr. Heller developed a career as a brilliant pianist, and from the notes of my Heller book by Lynn Freeman Olson, he actually studied as a boy with Carl Czerny. Quoting Maestro Heller, his purpose in writing the etudes was "not only to help the development of finger ability,but also to enable both students and amateurs to perform a composition with the expression, grace elegance, or verve demanded by the work."
Well, to quote a famous movie line from My Big Fat Greek Wedding...."there you go" I guess I should have read the music notes before I started conquering the etudes. Perhaps I would have been a bit more tolerant of the work required of these gems, to become a more capable pianist.
So now to focus on the Etude in E Major Opus 45, No. 20. This is an exercise that can bring out the expletives in even an upstanding person like myself. From the view of the amateur, there are a number of partial arpeggios that require you to use the fingering patterns that are in the edition. In my line of work as a lawyer, we legal types often think we know everything. Well when it comes to piano fingering, I have learned, I DON"T.
The next tricky aspect to this etude in particular, is playing legato notes in the right hand, and staccato notes in the left. I can add that for an older student, this probably works important parts of your brain, and could contribute to sustaining your memory. Maestro Heller does let you off the hook,starting around measure 68 with a passage, that is more like a simple sonatina. So if you can conquer the first two pages, the third and fourth pages offer smooth sailing ahead.
I often start my practice sessions playing popular music of the days. But in my stacks of music, Czerny, Hanon and Heller, are there, and you can't ignore them, if you want to play with more ability, control and even elegance. So pianists, put on your poker faces, grit your teeth and jump in. You will be glad you did. And quoting Lynn Freeman Olson the editor of my Heller edition, "And do keep in mind Heller's own goal of finger "ability" as a servant of the expression inherent in each piece."
Tuesday, September 26, 2017
Thursday, August 17, 2017
The piano will save you
The title of my blog post references two conversations I had with my mother over the years. One took place, I believe when I was in college in the 1970s, the other when I was a young mother in the 1990s and my mom moved our little Baldwin piano to my house.
Both conversations took place in the context, that even if I was not going to pursue a career that involved piano, the piano, and the time I spent in lessons would "save me" during multiple peaks and valleys in my life. In my early twenties, I laughed off my mother's statement as almost ridiculous, and in my early 40's I was simply too busy juggling the balls, of work, and family to think that anyone could save me from my far too busy life.
But now that I am in my 61st year, I finally understand what my mom was saying, and how much the piano has saved me from so many things, recuperation from "discussions" with adult children, making mistakes with friends that cannot be turned around, anxiety and worry from job pressures, working through family peaks and valleys both immediate and extended, and many other situations that make up life.
I now admit that all of the lessons have paid off, in the sense that I have a place to turn to, and a place where I can create, sort of a no judgment, no ridicule zone. Whether it is working through a classical piece that is far too difficult, or leafing through a book of popular music, I can find music that will make any day better, even if I can only plink out the melody.
The practice of law can be so challenging, that sometimes, the worries can only be removed, when I play a Beatles song, a Mozart sonata, or a Bach prelude. I can make the day better, just by getting to my peaceful place of 88 keys.
Music also helps me to work through how I interact with friends and families. Through music, I can understand fences I need to mend, or bridges I need to build. Music can be the background to devising a solution for almost any problem. Music can also speak, when honestly, no words are exactly right.
When I first started taking piano lessons and playing, I sometimes became caught up in the smaller picture, glossing over a difficult measure to play through, or not practicing scales and arpeggios diligently, to improve my dexterity and hand position. Perhaps if I had thought about what the piano would mean to me later in life, I would have realized how much I needed to look at the big picture, and the difference piano playing would make to me in so many ways.
I've mentioned in prior blog posts, how grateful I am when I come down the stairs and see my beautiful piano in the living room. I think of all of the ways the piano by its very presence has changed my life. And how my ability to play it, has taken me through the joys and struggles in my life. It's quite amazing actually!
Both conversations took place in the context, that even if I was not going to pursue a career that involved piano, the piano, and the time I spent in lessons would "save me" during multiple peaks and valleys in my life. In my early twenties, I laughed off my mother's statement as almost ridiculous, and in my early 40's I was simply too busy juggling the balls, of work, and family to think that anyone could save me from my far too busy life.
But now that I am in my 61st year, I finally understand what my mom was saying, and how much the piano has saved me from so many things, recuperation from "discussions" with adult children, making mistakes with friends that cannot be turned around, anxiety and worry from job pressures, working through family peaks and valleys both immediate and extended, and many other situations that make up life.
I now admit that all of the lessons have paid off, in the sense that I have a place to turn to, and a place where I can create, sort of a no judgment, no ridicule zone. Whether it is working through a classical piece that is far too difficult, or leafing through a book of popular music, I can find music that will make any day better, even if I can only plink out the melody.
The practice of law can be so challenging, that sometimes, the worries can only be removed, when I play a Beatles song, a Mozart sonata, or a Bach prelude. I can make the day better, just by getting to my peaceful place of 88 keys.
Music also helps me to work through how I interact with friends and families. Through music, I can understand fences I need to mend, or bridges I need to build. Music can be the background to devising a solution for almost any problem. Music can also speak, when honestly, no words are exactly right.
When I first started taking piano lessons and playing, I sometimes became caught up in the smaller picture, glossing over a difficult measure to play through, or not practicing scales and arpeggios diligently, to improve my dexterity and hand position. Perhaps if I had thought about what the piano would mean to me later in life, I would have realized how much I needed to look at the big picture, and the difference piano playing would make to me in so many ways.
I've mentioned in prior blog posts, how grateful I am when I come down the stairs and see my beautiful piano in the living room. I think of all of the ways the piano by its very presence has changed my life. And how my ability to play it, has taken me through the joys and struggles in my life. It's quite amazing actually!
I renamed my blog
I loved the idea of my blog title 10000hours88keys. I had listened to several radio segments about the concept of becoming an expert after spending 10000 hours trying to develop an expertise. I thought of the 10000 hours as a potential goal.
As an adult amateur pianist, I began to get very discouraged about practicing for 10000 hours. I even started to determine, using a calculator, if I practiced 2 hours a day for the next thirteen years, that would result in 10000 hours, and I would be 74. 10000 hours seemed far too daunting.
That might have been possible, when I didn't have a job, didn't have responsibilities, and honestly when I had more energy. So I thought it through and said to myself, "Rose, what if you took your practice time week by week and simply tried to devote a focused amount of time each day, to half the assigned pieces of your lesson, or learning a piece of popular music of the day."
A focused hour sounds possible, whereas 10000 hours can seem like the impossible. And what about the crazy weekday, when the best you can give is 20 minutes. Well 20 minutes is better than nothing. Sort of like working out, 20 minutes walking around the block, beats 3 hours in your favorite chair watching teevee.
So I have renamed my blog FocusedHour88keys.
As an adult amateur pianist, I began to get very discouraged about practicing for 10000 hours. I even started to determine, using a calculator, if I practiced 2 hours a day for the next thirteen years, that would result in 10000 hours, and I would be 74. 10000 hours seemed far too daunting.
That might have been possible, when I didn't have a job, didn't have responsibilities, and honestly when I had more energy. So I thought it through and said to myself, "Rose, what if you took your practice time week by week and simply tried to devote a focused amount of time each day, to half the assigned pieces of your lesson, or learning a piece of popular music of the day."
A focused hour sounds possible, whereas 10000 hours can seem like the impossible. And what about the crazy weekday, when the best you can give is 20 minutes. Well 20 minutes is better than nothing. Sort of like working out, 20 minutes walking around the block, beats 3 hours in your favorite chair watching teevee.
So I have renamed my blog FocusedHour88keys.
Thursday, May 25, 2017
Matthew Ebright
My husband and I both engaged in barbershop quartet singing over the years. When we were in our twenties, Mark was member of the Motor City Chorus in Detroit, Michigan and I was in a Farmington Hills, Michigan Sweet Adelines Chorus. After we got married, my husband sang in the Singing Buckeyes in Columbus, Ohio, and I sang in Columbus based, Scioto Valley Chorus of the Sweet Adelines.
Although we don't commit to barbershop singing in our current busy lives, we still love to attend barbershop shows and competitions. The Society for the Preservation of Barbershop Quartet Singing in America, and Sweet Adelines, have brought us many hours of musical happiness in participating and singing in this amazing art form.
Last weekend, we had the opportunity to attend the Singing Buckeyes performance with the Bishop Watterson High School jazz band. Both of our children performed in the Jazz Band, and we cannot say enough about the band's director Mike Renzi and his incredible musical talent.
The concert featured both the Singing Buckeyes Chorus, as well as the Watterson Jazz band. And the concert also featured pianist Matthew Ebright. Mr. Ebirght has worked as a featured pianist for Prince Cruises as well as being a music director for various theater productions. He received a Bachelor's Degree in Music from The Ohio State University. Matthew has also served as accompanist and assistant direct of the Ohio State University Men's Glee Club.
Currently Matthew works as the primary accompanist for several high school choral programs throughout the Columbus metropolitan area.
Matthew played several jazz numbers with great technical prowess. He also accompanied the Watterson Jazz Band with their rendition of Breaking Up is Hard to Do. Look for Mr. Ebright to go very far professionally. With just a small glimpse of his performance style, he seems to be able to move freely through the various musical genres.
It was an incredible evening among amateur musicians who simply love music.
Although we don't commit to barbershop singing in our current busy lives, we still love to attend barbershop shows and competitions. The Society for the Preservation of Barbershop Quartet Singing in America, and Sweet Adelines, have brought us many hours of musical happiness in participating and singing in this amazing art form.
Last weekend, we had the opportunity to attend the Singing Buckeyes performance with the Bishop Watterson High School jazz band. Both of our children performed in the Jazz Band, and we cannot say enough about the band's director Mike Renzi and his incredible musical talent.
The concert featured both the Singing Buckeyes Chorus, as well as the Watterson Jazz band. And the concert also featured pianist Matthew Ebright. Mr. Ebirght has worked as a featured pianist for Prince Cruises as well as being a music director for various theater productions. He received a Bachelor's Degree in Music from The Ohio State University. Matthew has also served as accompanist and assistant direct of the Ohio State University Men's Glee Club.
Currently Matthew works as the primary accompanist for several high school choral programs throughout the Columbus metropolitan area.
Matthew played several jazz numbers with great technical prowess. He also accompanied the Watterson Jazz Band with their rendition of Breaking Up is Hard to Do. Look for Mr. Ebright to go very far professionally. With just a small glimpse of his performance style, he seems to be able to move freely through the various musical genres.
It was an incredible evening among amateur musicians who simply love music.
Aaron Diehl and Cecile McLorin Salvant
One of my musical pipe dreams has been to attend a concert at the Barns at Wolf Trap, in suburban Washington D.C. Our daughter granted our wish, when she obtained tickets for jazz pianist Aaron Diehl and singer Cecile McLorin Salvant. The occasion---to celebrate our upcoming 30th anniversary this August 29th, and going to this concert was a great way to start our anniversary year.
The concert was quite frankly, amazing. I have heard Aaron Diehl before, and being from his home town of Columbus, Ohio, He attended St. Charles prep in Columbus, and was the pianist organist at the beautiful St. Mary's church in Columbus' historic German Village. I have followed his career, and his foray into the world of jazz. He is an absolutely incredible pianist, and I believe he is in his early 30's so I know he has a long career ahead of him.
Aaron collaborates with Cecile, and this collaboration this night was simply beyond words. Cecile reminds me of Ella Fitzgerald or Nancy Wilson, but with her own style, and vocal quality. She is a joy in her performance, and I kept saying to myself, over and over, "I cannot believe that I am here....tonight!!"
Cecile is very mod, or hip or fashion minded. She always wears very distinctive glasses, and there are also photos of her wearing very sophisticated millinery. This very evening she had an incredible dress on, that Cecile described as her "dinosaur dress." Cecile is not a "skinny jeans" person, but I tell you this, she has that je ne sais quoi about her, and she frankly rocked her style. You are not going to forget this fine young woman of jazz. I don't know if je ne sais quoi applies, but I love to utter a French phrase or two.
Cecile and Aaron played and sang for about one and a half hours without a break. The thing I noticed about Mr. Diehl, that differed from the past concerts I attended, is that he played with an elegance. For the amateur pianist, this simply means he played effortlessly, but even the amateur piano knows that effortless equals thousands of hours at the piano, hanon exercises, Czerny, etudes, breaking down the difficult measures. Aaron Diehl is the real Diehl, because he gives so much to the audience in his performance. Still waiting for his interpretation of Viper's Drag in an encore.
I just kept saying to myself throughout the concert, this performance is pure class.
Well as luck would have it, my husband, our daughter Sarah and I stayed until the end, and waited in line to purchase Cecile's CD and vinyl. We were at the end of the queue, and when we came face to face with Cecile, we asked her if Aaron Diehl was coming out to greet his fans. We also mentioned that we were from Aaron Diehl's home town of Columbus, Ohio. And though he couldn't come out to meet and greet, due to a dental issue, Cecile spent a few moments chatting with us. I encouraged her to come to Columbus, and she had been there before, and even seemed amenable.
The most amazing thing about our serendipitous encounter was that she texted Aaron and begged him in a cell phone begging kind of way to come out and meet the home town folk. I've learned that even though he didn't come out to greet us, it's okay. I don't know anything about concertizing, but I am sure it is physically draining, and I guess like any professional, sometime after a big moment you just have to decompress.
I add that I was glad my daughter got to see both Aaron and Cecile. Sarah is a very fine amateur pianist in her own right, and she got to see the excellence that only Aaron Diehl can provide. Sarah also got to see Cecile, who is Sarah's age, a woman with her own style, who knows where she is going. I like it when my daughter sees women who march to the beat of their own drum. I find myself wishing I could take both of them out for a grand lunch or tea, and we could talk music, clothes, romance, and vacations.
Any present from my children is wonderful. Sarah really got an "A" this time allowing my husband and I to accompany her to such an incredible evening of piano and song. I'm still dreaming of that "dinosaur dress."
The concert was quite frankly, amazing. I have heard Aaron Diehl before, and being from his home town of Columbus, Ohio, He attended St. Charles prep in Columbus, and was the pianist organist at the beautiful St. Mary's church in Columbus' historic German Village. I have followed his career, and his foray into the world of jazz. He is an absolutely incredible pianist, and I believe he is in his early 30's so I know he has a long career ahead of him.
Aaron collaborates with Cecile, and this collaboration this night was simply beyond words. Cecile reminds me of Ella Fitzgerald or Nancy Wilson, but with her own style, and vocal quality. She is a joy in her performance, and I kept saying to myself, over and over, "I cannot believe that I am here....tonight!!"
Cecile is very mod, or hip or fashion minded. She always wears very distinctive glasses, and there are also photos of her wearing very sophisticated millinery. This very evening she had an incredible dress on, that Cecile described as her "dinosaur dress." Cecile is not a "skinny jeans" person, but I tell you this, she has that je ne sais quoi about her, and she frankly rocked her style. You are not going to forget this fine young woman of jazz. I don't know if je ne sais quoi applies, but I love to utter a French phrase or two.
Cecile and Aaron played and sang for about one and a half hours without a break. The thing I noticed about Mr. Diehl, that differed from the past concerts I attended, is that he played with an elegance. For the amateur pianist, this simply means he played effortlessly, but even the amateur piano knows that effortless equals thousands of hours at the piano, hanon exercises, Czerny, etudes, breaking down the difficult measures. Aaron Diehl is the real Diehl, because he gives so much to the audience in his performance. Still waiting for his interpretation of Viper's Drag in an encore.
I just kept saying to myself throughout the concert, this performance is pure class.
Well as luck would have it, my husband, our daughter Sarah and I stayed until the end, and waited in line to purchase Cecile's CD and vinyl. We were at the end of the queue, and when we came face to face with Cecile, we asked her if Aaron Diehl was coming out to greet his fans. We also mentioned that we were from Aaron Diehl's home town of Columbus, Ohio. And though he couldn't come out to meet and greet, due to a dental issue, Cecile spent a few moments chatting with us. I encouraged her to come to Columbus, and she had been there before, and even seemed amenable.
The most amazing thing about our serendipitous encounter was that she texted Aaron and begged him in a cell phone begging kind of way to come out and meet the home town folk. I've learned that even though he didn't come out to greet us, it's okay. I don't know anything about concertizing, but I am sure it is physically draining, and I guess like any professional, sometime after a big moment you just have to decompress.
I add that I was glad my daughter got to see both Aaron and Cecile. Sarah is a very fine amateur pianist in her own right, and she got to see the excellence that only Aaron Diehl can provide. Sarah also got to see Cecile, who is Sarah's age, a woman with her own style, who knows where she is going. I like it when my daughter sees women who march to the beat of their own drum. I find myself wishing I could take both of them out for a grand lunch or tea, and we could talk music, clothes, romance, and vacations.
Any present from my children is wonderful. Sarah really got an "A" this time allowing my husband and I to accompany her to such an incredible evening of piano and song. I'm still dreaming of that "dinosaur dress."
Monday, May 22, 2017
Caroline Hong, Mother's Day and Rhapsody in Blue
Caroline Hong - Rhapsody in Blue
So if you are an amateur pianist, I think it is necessary that you give back to the arts, in gratitude, for being able to play such an amazing instrument. I live in Worthington Ohio, about 1/2 hour from Columbus, Ohio, and I was involved with a group of people who raised funds and awareness to create an arts center from the original Thomas Worthington High School. That process, is a topic for another blog post.
The Peggy R. McConnell Arts Center of Worthington, as it is called, offers amazing programming, enhancing the cultural climate of our lovely, little city.
Since my adult children are out of town, my mom died in 2004, and my mother in law had other plans, I had to think of a way to have an enjoyable mother's day. My husband, Mark and I decided to attend the McConnell Arts Center Chamber Orchestra performance with Caroline Hong playing Rhapsody in Blue.
Let me digress for a moment about the Chamber Orchestra. Antoine Clark is the orchestra's music director, and frankly he is amazing. The concert had a bit of a casual feel, as Dr. Clark took the time to comment on the selections for the program entitled Symphonic Jazz. A clarinetist by profession, Dr Clark earned a Doctor of Musical Arts in Clarinet Performance and a Master of Music in Orchestral Conducting from the Ohio State University. He took the time to make the audience feel right at home, and I think his commentary set the tone for a fun and creative first half. Selections by Ellington and Milhaud were amazing, and the first half of the concert concluded with Ragtime music by Scott Joplin.
I also add that my piano teacher Suzanne Newcomb, is the pianist for the Chamber Orchestra. A gifted musician in her own right, I never tire of watching Suzanne perform. Her focus, and determination comes through when ever her fingers meet the piano keys, and one can always count on her to create amazing collaborations with her fellow musicians. Suzanne is a gift to the Central Ohio arts community. So if you haven't taken time to hear this creative chamber Orchestra, you need to take a moment, look at the website, and firm up something on your calendar for the Fall/Winter season.
The second half of the concert was an amazing performance by Caroline Hong, of Rhapsody in Blue. Caroline is a very accomplished pianist and is currently an associate professor at The Ohio State University. Caroline plays in an elegant, sophisticated manner. But Rhapsody in Blue, showcases every aspect of a pianist's technique, and Caroline was able to move through the various elements of the work, with strength, stamina, style and grace. I am always amazed when I watch a pianist perform with any orchestra. Just looking at the orchestra, and watching a very poised Caroline Hong waiting for her cues, sent shivers up my spine. She played with such great strength and grandeur, and the orchestra gave a wonderful performance, of this familiar work. I think that Ms. Hong brought the Rhapsody to the people. Even if you have heard excerpts of this musical masterpiece over and over again, it is always wonderful, to hear a fresh take on the genius of George Gershwin.
All and all, it was a great way to have a beautiful mother's day. And on that note, in the row behind us was, Caroline's husband and her sweet little son. I turned at the end, and saw him joyously clapping for his mom. He has so much to be proud of, and I am sure Ms. Hong was proud of his attentiveness during a glorious performance. Okay, my children were out of town, and my mom is in heaven, but the concert made the cherished Mother's Day holiday, quite lovely and amazing.
Since my adult children are out of town, my mom died in 2004, and my mother in law had other plans, I had to think of a way to have an enjoyable mother's day. My husband, Mark and I decided to attend the McConnell Arts Center Chamber Orchestra performance with Caroline Hong playing Rhapsody in Blue.
Let me digress for a moment about the Chamber Orchestra. Antoine Clark is the orchestra's music director, and frankly he is amazing. The concert had a bit of a casual feel, as Dr. Clark took the time to comment on the selections for the program entitled Symphonic Jazz. A clarinetist by profession, Dr Clark earned a Doctor of Musical Arts in Clarinet Performance and a Master of Music in Orchestral Conducting from the Ohio State University. He took the time to make the audience feel right at home, and I think his commentary set the tone for a fun and creative first half. Selections by Ellington and Milhaud were amazing, and the first half of the concert concluded with Ragtime music by Scott Joplin.
I also add that my piano teacher Suzanne Newcomb, is the pianist for the Chamber Orchestra. A gifted musician in her own right, I never tire of watching Suzanne perform. Her focus, and determination comes through when ever her fingers meet the piano keys, and one can always count on her to create amazing collaborations with her fellow musicians. Suzanne is a gift to the Central Ohio arts community. So if you haven't taken time to hear this creative chamber Orchestra, you need to take a moment, look at the website, and firm up something on your calendar for the Fall/Winter season.
The second half of the concert was an amazing performance by Caroline Hong, of Rhapsody in Blue. Caroline is a very accomplished pianist and is currently an associate professor at The Ohio State University. Caroline plays in an elegant, sophisticated manner. But Rhapsody in Blue, showcases every aspect of a pianist's technique, and Caroline was able to move through the various elements of the work, with strength, stamina, style and grace. I am always amazed when I watch a pianist perform with any orchestra. Just looking at the orchestra, and watching a very poised Caroline Hong waiting for her cues, sent shivers up my spine. She played with such great strength and grandeur, and the orchestra gave a wonderful performance, of this familiar work. I think that Ms. Hong brought the Rhapsody to the people. Even if you have heard excerpts of this musical masterpiece over and over again, it is always wonderful, to hear a fresh take on the genius of George Gershwin.
All and all, it was a great way to have a beautiful mother's day. And on that note, in the row behind us was, Caroline's husband and her sweet little son. I turned at the end, and saw him joyously clapping for his mom. He has so much to be proud of, and I am sure Ms. Hong was proud of his attentiveness during a glorious performance. Okay, my children were out of town, and my mom is in heaven, but the concert made the cherished Mother's Day holiday, quite lovely and amazing.
Tuesday, April 25, 2017
Schirmer Editions
Schirmer Editions Meant I had Arrived
I started taking piano lessons during the summer of 1962, so, I was six, turning seven that December. I always observed the books that other students brought to lessons. And depending on the color of the music book, or style, I perceived if I had a certain musical edition of book, that I had arrived as a pianist. I was making progress!
That was never more true than when my piano teacher Mrs. Katherine Lemon bought me the Schrimer edition of The Sonatina Album. Schirmer editions had the distinctive yellowish -gold color, with an orderly green border of leaves around the edges of the book. The back of any Schirmer edition listed the many other Schirmer editions of classical composers that you could purchase. But the back of the Schirmer edition to me, was a compiled list of what I should strive to play. Yes when one sees the title Schirmer Library of Musical Classics, that implied you were finally headed somewhere as a pianist.
I would dream of playing a Bach Fugue or Toccata, wearing a black velvet dress, seated at a 9 foot black Steinway, and also wearing a very expensive diamond bracelet. After I played this amazing piece, I would stand and accept the applause of my many ardent fans. Yes, having a Schirmer edition, cause me to have such an amazing fantasy.
I also took my Sonatina Album to school in seventh grade, yes OE Dunckel Junior High in Farmington Hills, Michigan, to make a statement to the world, that yes, because of my Schirmer edition, I was truly that advanced. I just thought, that other piano players in my class, mainly Catherine Schroeder and Scott Terrill, would know that I had moved beyond my childish piano books and I was in fact, in the big leagues. So carrying a Schirmer edition to school, proved my ability to the world, but I think in reality, it simply reinforced the fact that I was just a nerdy seventh grader who liked classical music.
As time has worn on, piano editions of classical composer have evolved and improved. I have had the Schirmer edition of Bach Two - Part inventions for years, but now I also have an Alfred Masterwork edition of the Inventions , edited by Willard A. Palmer On some level the Alfred Masterwork edition, is helpful, in that the inventions are spaced out over several pages, and it makes for easier reading as I have moved on in years. Also the Alfred edition, provides details about ornamentation and dotted rhythms. This comes in handy, when you are not under a teacher's watchful eye. In that way, you don't go "rogue" in your interpretation of how Bach wanted the invention to be played.
However, the orderly look of the Schirmer edition of any classical piece to this day, says to me that you have achieved a certain level, a standard. I know on some level it is a bold faced lie, because now a pianist can put a Bach invention on an i pad, and play with accuracy, and musicality, with no hint of it being a Schirmer edition piece of music.
No matter the edition, nothing can take the place of hard work, separate hand practice, playing slowly, or working on a difficult measure until the problem is solved. But having Schirmer editions reminds me of the possibilities in piano playing. I can open that beautiful book, and sit down and review my former teacher's notes, and return to playing that piece well even if just for that day, that moment, that minute in time.
I've said it before but my favorite instrument never stops amazing me!
I started taking piano lessons during the summer of 1962, so, I was six, turning seven that December. I always observed the books that other students brought to lessons. And depending on the color of the music book, or style, I perceived if I had a certain musical edition of book, that I had arrived as a pianist. I was making progress!
That was never more true than when my piano teacher Mrs. Katherine Lemon bought me the Schrimer edition of The Sonatina Album. Schirmer editions had the distinctive yellowish -gold color, with an orderly green border of leaves around the edges of the book. The back of any Schirmer edition listed the many other Schirmer editions of classical composers that you could purchase. But the back of the Schirmer edition to me, was a compiled list of what I should strive to play. Yes when one sees the title Schirmer Library of Musical Classics, that implied you were finally headed somewhere as a pianist.
I would dream of playing a Bach Fugue or Toccata, wearing a black velvet dress, seated at a 9 foot black Steinway, and also wearing a very expensive diamond bracelet. After I played this amazing piece, I would stand and accept the applause of my many ardent fans. Yes, having a Schirmer edition, cause me to have such an amazing fantasy.
I also took my Sonatina Album to school in seventh grade, yes OE Dunckel Junior High in Farmington Hills, Michigan, to make a statement to the world, that yes, because of my Schirmer edition, I was truly that advanced. I just thought, that other piano players in my class, mainly Catherine Schroeder and Scott Terrill, would know that I had moved beyond my childish piano books and I was in fact, in the big leagues. So carrying a Schirmer edition to school, proved my ability to the world, but I think in reality, it simply reinforced the fact that I was just a nerdy seventh grader who liked classical music.
As time has worn on, piano editions of classical composer have evolved and improved. I have had the Schirmer edition of Bach Two - Part inventions for years, but now I also have an Alfred Masterwork edition of the Inventions , edited by Willard A. Palmer On some level the Alfred Masterwork edition, is helpful, in that the inventions are spaced out over several pages, and it makes for easier reading as I have moved on in years. Also the Alfred edition, provides details about ornamentation and dotted rhythms. This comes in handy, when you are not under a teacher's watchful eye. In that way, you don't go "rogue" in your interpretation of how Bach wanted the invention to be played.
However, the orderly look of the Schirmer edition of any classical piece to this day, says to me that you have achieved a certain level, a standard. I know on some level it is a bold faced lie, because now a pianist can put a Bach invention on an i pad, and play with accuracy, and musicality, with no hint of it being a Schirmer edition piece of music.
No matter the edition, nothing can take the place of hard work, separate hand practice, playing slowly, or working on a difficult measure until the problem is solved. But having Schirmer editions reminds me of the possibilities in piano playing. I can open that beautiful book, and sit down and review my former teacher's notes, and return to playing that piece well even if just for that day, that moment, that minute in time.
I've said it before but my favorite instrument never stops amazing me!
Tuesday, January 24, 2017
Rhapsody in Blue
The recent US election did not go my way. I supported former Secretary of State Hillary Clinton, and though she won the popular vote, the Electoral College votes did not produce a victory for Clinton.
Since the election, I have been taking time to listen to music, that truly resonates with me, and perhaps in part with the profound sadness I feel about the direction of the country.
My daughter Sarah contacted me about the January 22nd concert of the National Symphony Orchestra, at the Kennedy Center being broadcast live over social media. I decided to combat the blues and listen in, to a wonderful afternoon of music.
Jon Kimura Parker was the guest pianist, featured with the orchestra playing George Gershwin's Rhapsody in Blue. I have blogged about the musical work before, and my bold purchase of it, when I was either 12 or 13, intending to play it.
As time has worn on, I have learned various parts of the piece, and I marvel at the Rhapsody's musicality, and of course difficulty. I am probably a true amateur in that I describe the themes as sections. Some of the sections I have conquered, and others fall into the description of "I will probably never be able to play that."
Kimura Parker's interpretation of the Rhapsody in Blue, was the tonic I needed for post election blues. I forgot how skilled, and gifted a pianist he truly is. Mr. Kimura Parker has been a devotee of the Lancaster Music Festival in Lancaster, Ohio, and I have always been touched that he commits to bringing wonderful music to the rural southeastern Ohio area, about one hour south of Columbus, Ohio. And the Lancaster Festival is to be congratulated on keeping the arts alive in such a beautiful and peaceful region of the state.
Kimura Parker has the ability to be a completely formal classical pianist, but also, with his encore - a piece by Billy Joel, completely at home in the rock n roll genre. That versatility, makes his music a joy to encounter.
Parker was born in Canada, and is part of the incredible treasure trove of Canadian pianists, which include two of my favorites, Emmanuel Ax and Angela Hewitt. He also is lucky enough to have a Christmas birthday, which I think adds a bit of panache to his Wikopedia biography.
Thinking back over his performance of the Rhapsody, I realize that no matter how many times you hear this piece, you can still find something exciting, that transcends whatever challenges you are going through in your life's journey.
I think Kimura Parker made the post election blues a little bit better, and at least for that moment on January 22nd, made me pause and focus on the most beautiful and amazing instrument; the piano.
Talk in political circles, surrounds the probability that Republican led Congress will slash funding for the arts. The Kennedy Center stands as a beacon for the concept, that even in a town of budget cuts, and political wrangling, the arts will find a way. Budgets can be slashed, and arts funding taken, but in this instance Mr. Kimura Parker still is playing and bringing music to the greater human community, one note at a time. The arts, music, dance, poetry, literature, they call can transcend political discourse.
If you cannot hear the Rhapsody in Blue in Concert, then find it on a good CD, podcast or download and be transported to a place of comfort and peace. You won't regret it.
Since the election, I have been taking time to listen to music, that truly resonates with me, and perhaps in part with the profound sadness I feel about the direction of the country.
My daughter Sarah contacted me about the January 22nd concert of the National Symphony Orchestra, at the Kennedy Center being broadcast live over social media. I decided to combat the blues and listen in, to a wonderful afternoon of music.
Jon Kimura Parker was the guest pianist, featured with the orchestra playing George Gershwin's Rhapsody in Blue. I have blogged about the musical work before, and my bold purchase of it, when I was either 12 or 13, intending to play it.
As time has worn on, I have learned various parts of the piece, and I marvel at the Rhapsody's musicality, and of course difficulty. I am probably a true amateur in that I describe the themes as sections. Some of the sections I have conquered, and others fall into the description of "I will probably never be able to play that."
Kimura Parker's interpretation of the Rhapsody in Blue, was the tonic I needed for post election blues. I forgot how skilled, and gifted a pianist he truly is. Mr. Kimura Parker has been a devotee of the Lancaster Music Festival in Lancaster, Ohio, and I have always been touched that he commits to bringing wonderful music to the rural southeastern Ohio area, about one hour south of Columbus, Ohio. And the Lancaster Festival is to be congratulated on keeping the arts alive in such a beautiful and peaceful region of the state.
Kimura Parker has the ability to be a completely formal classical pianist, but also, with his encore - a piece by Billy Joel, completely at home in the rock n roll genre. That versatility, makes his music a joy to encounter.
Parker was born in Canada, and is part of the incredible treasure trove of Canadian pianists, which include two of my favorites, Emmanuel Ax and Angela Hewitt. He also is lucky enough to have a Christmas birthday, which I think adds a bit of panache to his Wikopedia biography.
Thinking back over his performance of the Rhapsody, I realize that no matter how many times you hear this piece, you can still find something exciting, that transcends whatever challenges you are going through in your life's journey.
I think Kimura Parker made the post election blues a little bit better, and at least for that moment on January 22nd, made me pause and focus on the most beautiful and amazing instrument; the piano.
Talk in political circles, surrounds the probability that Republican led Congress will slash funding for the arts. The Kennedy Center stands as a beacon for the concept, that even in a town of budget cuts, and political wrangling, the arts will find a way. Budgets can be slashed, and arts funding taken, but in this instance Mr. Kimura Parker still is playing and bringing music to the greater human community, one note at a time. The arts, music, dance, poetry, literature, they call can transcend political discourse.
If you cannot hear the Rhapsody in Blue in Concert, then find it on a good CD, podcast or download and be transported to a place of comfort and peace. You won't regret it.
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